- Seated
Robert Glasper sells itself through the music on Friday. Blue Note rewards performances built on tone and control.
Los Angeles live music, edited for tonight and the week ahead.
Weekend
Use this when you know you're going out this weekend and want a stronger first pass than a giant listings page.
Fresh daily
When
Type of night
No matching shows in this view. Try all dates or all types.
Robert Glasper sells itself through the music on Friday. Blue Note rewards performances built on tone and control.
Eric Nam is built around polished English language pop and K pop crossover releases. At The Roxy, the show gets a little gloss while staying close enough to judge.
Orville Peck leans on dramatic vocals and a cinematic take on outlaw and alternative country. This feels like a real destination night, not a backup.
Guns N' Roses keeps the focus on its late-1980s breakthrough and stadium scale catalog. This compact Friday set makes more sense if you want specificity over scale.
Kybba keeps the focus on dancehall, afro diasporic club sounds, reggaeton, and global bass. This room first Friday set has enough detail to earn a second look.
Gary Wilson is built around eccentric home recorded work and outsider pop influence. At Gold Diggers, a good set can feel hand delivered.
Cera Khin leans on hard techno, acid, rave, and high intensity club sounds. The Friday music is the kind of smaller show that can beat the obvious bigger room.
Da Tweekaz keeps the focus on euphoric, high energy festival hard dance. The late Friday live set is easier to argue for when the bigger rooms feel too polished.
Green Velvet is strongest when sharp, minimal club tracks and a long running role in underground dance music comes through clearly. The focused Friday live set has enough detail to earn a second look.
Good Foot is a guitar set built on volume, edges, and immediacy. Alex's Bar is the right room for loud guitars and a low ceiling.
Juelz is built around trap, bass, and festival focused dance music. The close Friday live set is easier to argue for when the bigger rooms feel too polished.
Kwonix And Chav' is a jazz set where the band texture matters as much as the tunes. The focused Friday live set' makes more sense if you want specificity over scale.
Whirr puts heavy, blurred guitars and dense dream pop textures out front. The Friday music is easier to argue for when the bigger rooms feel too polished.
A Chal with Loyal Lobos leans on a clear groove or melody, with the rest of the band adding texture around it. The Friday music is more convincing when the band gives the songs a clear shape early.
Walker & Royce is strongest when chunky, playful tech house records and club focused DJ sets comes through clearly. The Friday music feels stronger once the first impression is musical, not just logistical.
Downy, Quiet Fear, Band Argument stays engaging when the music gives you a clean anchor. The Friday show gets a more revealing room at Zebulon, which helps when the music has real edges.
Robert Glasper puts connecting modern jazz with R&B, hip hop, and soul out front. The Saturday night lands harder with a real voice or rhythmic hook.
Blu & Exile is strongest when local history and reflective writing comes through clearly. The close Saturday live set is easier to argue for when the bigger rooms feel too polished.
Jigitz goes for body movement before close listening. The Saturday music has enough musical detail to compare honestly with the larger bills.
Da Tweekaz puts euphoric, high energy festival hard dance out front. The late Saturday live set has enough musical detail to compare honestly with the larger bills.
SHINE Mawusi Women's African Drum Circle stays engaging when the music gives you a clean anchor. At The World Stage, the music speaks directly or not at all.
It’s murph leans on accessible house and tech house leaning club music. The close Saturday live set has enough detail to earn a second look.
Fin’s Mellow Company puts the voice up front, with melody and phrasing doing most of the work. The Mint puts you near the working parts, hands, voice, arrangements.
Blood club is a guitar set built on volume, edges, and immediacy. The late Saturday live set is easier to argue for when the bigger rooms feel too polished.
Be Your Own Pet is built around bratty velocity, clipped hooks, and Jemina Pearl's high energy vocal delivery. Lodge Room is a good middle size when the songs need air and edge.
Robert Glasper sells itself through the music on Sunday. The Sunday night feels stronger once the first impression is musical, not just logistical.
Neo Filth is a guitar set built on volume, edges, and immediacy. Zebulon is good for artists who need a little weirdness in the room.
World Stage Big Band is a jazz set where the band texture matters as much as the tunes. The World Stage keeps community and musicianship as central as the bill.
AJ Croce leans on a clear groove or melody, with the rest of the band adding texture around it. AJ Croce is the kind of smaller show that can beat the obvious bigger room.
Adam "Aejaye" Jackson puts the voice up front, with melody and phrasing doing most of the work. This room first Sunday set has enough musical detail to compare honestly with the larger bills.
Grand Ole Echo leans on a clear hook or groove that makes the rest of the set easier to hear. At The Echo, a set with heat usually shows it fast.
Sweet & Tender Hooligans lets the rough parts stay rough, which is part of the appeal. At Alex's Bar, the Sunday music sounds better when it gets specific the moment it starts.