Tonight to next week
Los Angeles live music for tonight and the week ahead
A fast concert board for late planners who still care about the room.
79 picksCurrent guide
16 tonightOn the board
109 roomsLA venues
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79 picksLive in the guide
When
Type of night
No matching shows in this view. Try all dates or all types.
Tonight
- Large Club Room
Lawrence is built around bright horn arrangements and big singalong hooks. The Friday night has enough detail to earn a second look.
- Theater-Scale Room
MGNA Crrrta puts skittish, internet brained club pop with crunchy bass, EDM leads, and hyper online performance energy out front. The close Friday live set has enough detail to earn a second look.
- Seated
Brenna Whitaker keeps the focus on a smoky, big band friendly style rooted in cabaret, standards, and classic soul showmanship. The close Friday live set sells itself through the music on Friday.
- Intimate Listening Setup
DJ Brilli stays engaging when the music gives you a clean anchor. The Friday night lands harder with a real voice or rhythmic hook.
- Standing room
Jervis Campbell sounds most distinctive in polished pop/folk worship adjacent songs with a warm, radio ready vocal style. The focused Friday live set is the kind of smaller show that can beat the obvious bigger room.
- Intimate Listening Setup
Ryan Jackson Embola Sextet is a jazz set where the band texture matters as much as the tunes. The focused Friday live set is easier to argue for when the bigger rooms feel too polished.
- General Live-Music Room
Southern Culture on the Skids is a guitar set built on volume, edges, and immediacy. Alex's Bar is the right room for loud guitars and a low ceiling.
- Large Theater
Ólafur Arnalds trades easy hooks for texture, tension, and a slower build. The Friday music is the kind of smaller show that can beat the obvious bigger room.
- Starts 20:00
- Standing room
Natural Child puts loose, Stonesy swagger, bar band humor, and Southern rock and-roll looseness out front. At Lodge Room, a set can breathe but still feel close to the floor.
- Seated
Sid Sriram is a jazz set where the band texture matters as much as the tunes. Blue Note Los Angeles keeps the set immediate once the music gets specific.
Tomorrow
- Art Deco Theater Room
MASHBIT is the physical end of the night, more pulse than reflection. There is enough going on here to justify the trip on sound alone.
- Standing room
Valentino Khan leans on bass heavy club music. Insomniac presents the close Saturday live set has enough detail to earn a second look.
- Large Club Room
Lawrence leans on bright horn arrangements and big singalong hooks. The late Saturday live set makes more sense if you want specificity over scale.
- General Live-Music Room
Funky Sole lands harder when you can hear the grain of the singing. Gold Diggers keeps the distance short between the band and the room.
- Theater-Scale Room
MGNA Crrrta is built around skittish, internet brained club pop with crunchy bass, EDM leads, and hyper online performance energy. This room first Saturday set has enough detail to earn a second look.
- Seated
Natalie Hanna Mendoza puts the voice up front, with melody and phrasing doing most of the work. The Saturday music has enough detail to earn a second look.
- Intimate Listening Setup
SHINE Mawusi Women's African Drum Circle feels strongest when one part of the arrangement clicks early. The World Stage keeps community and musicianship as central as the bill.
- Standing room
Township Rebellion is built around melodic techno and progressive house. Exchange puts the room in club mode first.
- General Live-Music Room
Jorja Smith is a voice first set, not a production first one. This compact Saturday set has enough detail to earn a second look.
- General Live-Music Room
Plague Vendor puts wiry riffs, nervy momentum, and frontman Brandon Blaine’s volatile live presence out front. Alex's Bar keeps the night informal, noisy, and close to the stage.
Next few nights
- Theater-Scale Room
The Milk Carton Kids is strongest when close harmonies, dry wit, and spare acoustic arrangements comes through clearly. The late Sunday live set has enough character to hold a whole night together.
- Large Club Room
Ghostface Killah leans on a clear groove or melody, with the rest of the band adding texture around it. The late Sunday live set, Raekwon, & GZA has enough musical detail to compare honestly with the larger bills.
- Seated
Session Syndicate is strongest when LA studio/session musicians revisiting songs and grooves from classic records they helped shape comes through clearly. This compact Sunday set feels stronger when the sound is more specific than the title alone.
- Intimate Listening Setup
World Stage Big Band puts tone and rhythm section detail right out front. At The World Stage, the music speaks directly or not at all.
- Larger Theater Or Hall
LAYA lands harder when you can hear the grain of the singing. The Sunday night is the kind of smaller show that can beat the obvious bigger room.
- Intimate Listening Setup
Rumbatón feels strongest when one part of the arrangement clicks early. The Sunday music is easier to argue for when the bigger rooms feel too polished.
- Flexible Art And Performance Space
Eleni Sikelianos, Cecilia Vicuña, Courtney Stephens puts tone and rhythm section detail right out front. At 2220 Arts + Archives, the close room keeps the set immediate.
- Standing room
Michael Nau (Night 1) stays engaging when the music gives you a clean anchor. At Zebulon, the focused Sunday bill) sounds better when it gets specific the moment it starts.
- Flexible Art And Performance Space
Opening Night + All of a Sudden is about players in real time, touch, timing, and interplay you can hear. The Sunday show at 2220 Arts + Archives reads clearly fast in a room that does not hide much.
- Standing room
Mad Tsai with PIAO & bluhour (Michael Cimino) leans on a clear hook or groove that makes the rest of the set easier to hear. At The Roxy Theatre, the close room keeps the set immediate.
- Standing room
LIL PEEP 30TH BIRTHDAY CELEBRATION leans on a clear hook or groove that makes the rest of the set easier to hear. The Sunday night is more convincing when the band gives the songs a clear shape early.
- Venue page only
- Intimate Listening Setup
Rumbatón leans on a clear groove or melody, with the rest of the band adding texture around it. This gets more interesting if one part of the arrangement grabs you fast.
- Starts 21:30
- Venue page only
- Intimate Listening Setup
THE TOLEDO SHOW puts theatrical nightclub performance out front. The Sunday night at Harvelle's Santa Monica comes across better when the first song gives the night a clear shape.
- Seated
The Don Brown Collective puts tone and rhythm section detail right out front. Blue Note is a close listen, players, voices, and not much cover for weak phrasing.
- Standing room
Weston Estate is built around melodic alternative pop, indie, and R&B informed music. At The Roxy, the show gets a little gloss while staying close enough to judge.
- Theater-Scale Room
Gary Numan goes for sweat and impact over polish. This direct Monday set makes more sense if you want specificity over scale.
- Larger Theater Or Hall
LAYA puts the voice up front, with melody and phrasing doing most of the work. The close Monday live set has enough musical detail to compare honestly with the larger bills.
- Art Deco Theater Room
Natanya stays engaging when the music gives you a clean anchor. For Monday, the late Monday live set lands better when the songs announce themselves quickly.
The full week ahead
Seven days, condensed into one glance.
Tue Nov 17
3 showsEl Rey TheatreBest room: El Rey TheatreWed Nov 18
4 showsTeragram BallroomBest room: Teragram BallroomThu Nov 19
5 showsThe MintBest room: The MintLater this week
- Flexible Art And Performance Space
Zsela is a voice first set, not a production first one. 2220 works well for music that asks for attention more than spectacle.
- Standing room
Em Beihold is strongest when bright, melodic alt pop songwriting comes through clearly. At Teragram, the room tests whether the sound grows without getting glossy.
- Art Deco Theater Room
Katelyn Tarver leans on a clear groove or melody, with the rest of the band adding texture around it. This room first Wednesday set has enough character to hold a whole night together.
- Seated
The Don Brown Collective is about players in real time, touch, timing, and interplay you can hear. Blue Note works well when you want to hear whether the voice or band has depth beyond the record.
- Standing room
Weston Estate is strongest when melodic alternative pop, indie, and R&B informed music comes through clearly. At The Roxy, the night can feel polished without losing contact with the floor.
- Seated
Seth MacFarlane and His Chamber Orchestra keeps the focus on large band and chamber orchestra arrangements. The close Thursday live set is easier to argue for when the bigger rooms feel too polished.
- Standing room
Asa Anderson stays engaging when the music gives you a clean anchor. The Wednesday night lands harder with a real voice or rhythmic hook.
- Large Club Room
BIG SIS goes for body movement before close listening. The close Wednesday live set at The Novo comes across better when the first song gives the night a clear shape.
Go by neighborhood
When geography matters, start with the parts of town that already have the right rooms and current listings.
West Hollywood
8 shows this week across 6 rooms.
Black Star, Stop Light Observations
Hollywood
8 shows this week across 11 rooms.
MGNA Crrrta, Sid Sriram
Downtown LA
8 shows this week across 15 rooms.
Infekt 360° with Leotrix + MVRDA, Los Angeles 11
East Hollywood
8 shows this week across 3 rooms.
TM Bax Live, Junior Mesa Live in Los Angeles
Venice
8 shows this week across 3 rooms.
DJ Brilli, Ryan Jackson-Embola Sextet
Los Angeles
8 shows this week across 5 rooms.
Lawrence, Steve Gunn (Live)
Tue, Nov 17
- Art Deco Theater Room
The Tuesday show at El Rey Theatre comes across better when the first song gives the night a clear shape. The Tuesday show lands harder with a real voice or rhythmic hook.
- Standing room
The Tuesday show at Zebulon comes across better when the first song gives the night a clear shape. At Zebulon, the Tuesday show sounds better when it gets specific the moment it starts.
- Starts 21:30
- Venue page only
- Intimate Listening Setup
THE NO CHASERS puts the voice up front, with melody and phrasing doing most of the work. For Tuesday, the close Tuesday live set lands better when the songs announce themselves quickly.
Wed, Nov 18
- Standing room
Slothrust The Dystopian Theatre Tour leans on a clear groove or melody, with the rest of the band adding texture around it. Teragram Ballroom puts the Wednesday show close enough to the band for the songs to do the work.
- Seated
6LACK is a jazz set where the band texture matters as much as the tunes. Blue Note Los Angeles puts the late Wednesday live set close enough to the band for the songs to do the work.
Michael Hampton of Funkadelic, Escape-ism, Monde UFO, Deejay Mikey LonghairLater this weekJazzOffbeatIndie
- Standing room
Michael Hampton of Funkadelic, Escape ism, Monde UFO, Deejay Mikey Longhair is a jazz set where the band texture matters as much as the tunes. The Wednesday jazz set at Zebulon reads clearly fast in a room that does not hide much.
- Standing room
The Wednesday show sells itself through the music on Wednesday. At The Roxy Theatre, the Wednesday show sounds better when it gets specific the moment it starts.
Thu, Nov 19
- General Live-Music Room
Bodhi Corbett leans on Eddie Hunnicutt and Cole Maxwell. The Mint puts you near the working parts, hands, voice, arrangements.
- Larger Theater Or Hall
Brutalismus 3000 puts hard, rave driven techno and punk inflected club music out front. The Thursday night has enough musical detail to compare honestly with the larger bills.
- Standing room
Dirty Honey is built around a bluesy, classic rock sound. The Echo keeps the stakes local and immediate.
- Seated
Kehlani is a jazz set where the band texture matters as much as the tunes. The close Thursday live set at Blue Note Los Angeles reads clearly fast in a room that does not hide much.
- Standing room
The Thursday show lands harder with a real voice or rhythmic hook. At Zebulon, the close room keeps the set immediate.
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